From nytimes.com
"ROME — By at least one amusing new metric, Michelangelo’s unofficial 500-year run at the top of the Italian art charts has ended. Caravaggio, who somehow found time to paint when he wasn’t brawling, scandalizing pooh-bahs, chasing women (and men), murdering a tennis opponent with a dagger to the groin, fleeing police assassins or getting his face mutilated by one of his many enemies, has bumped him from his perch."...
bla bla blah...
... "Caravaggio, on the other hand, exemplifies the modern antihero, a hyperrealist whose art is instantly accessible. His doe-eyed, tousle-haired boys with puffy lips and bubble buttocks look as if they’ve just tumbled out of bed, not descended from heaven. Coarse not godly, locked into dark, ambiguous spaces by a strict geometry then picked out of deep shadow by an oracular light, his models come straight off the street. Cupid is clearly a hired urchin on whom Caravaggio strapped a pair of fake wings. The angel in his “Annunciation” dangles like Chaplin’s tramp on the high wire in “The Circus,” from what must have been a rope contraption Caravaggio devised."
David with the head of Goliath
(the goliath depicted in this painting is in fact Caravaggio himself)
The Cardsharps
Martyrdom of St. Matthew
Death of a Virgin
Caravaggio's epitaph was composed by his friend Marzio Milesi. It reads:
"Michelangelo Merisi, son of Fermo di Caravaggio - in painting not equal to a painter, but to Nature itself - died in Port' Ercole - betaking himself hither from Naples - returning to Rome - 15th calend of August - In the year of our Lord 1610 - He lived thirty-six years nine months and twenty days - Marzio Milesi, Jurisconsult - Dedicated this to a friend of extraordinary genius."
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Makes my Top 3 Artists of All Time. Master of Light Effects.
ReplyDeletetotally, he's absolutely ace. there's a quite good documentary called the Power of Art on youtube about him, rather dramatic but excellently informative.
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