Unusual and "mystère onirique" are the keys to his work which represents, in meticulous detail, recognizable scenes and objects which are taken out of natural context, distorted and combined in fantastic ways as they might be in dreams; its sources are in the art of fauvist painter Henri Rousseau and also De Chirico who was a very good friend of him. Danger on the Stairs, 1927 or 1928 is an overt example of fantastic dissociation, but nonetheless effective for that. Pierre Roy is especially appreciated in the United States where he often exhibited his paintings; several of them were reproduced on the cover of Vogue magazine. Among his admirors were Jean Cocteau and Aragon.
text from www.mcs.csueastbay.edu
Danger on the stairs

Une journée à la campagne

Amusing physique

Paul Klee has inspired many painters, including myself. As suche he deserves a great thank you.
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