Although greatly influenced by Jackson Pollock, Arshile Gorky and others, she soon developed her own approach to painting. She treated each painting as a new work that had its own unique requirements. She started experimenting with stain painting, where an unstretched and unprimed canvas lying on the floor would be treated with heavily diluted oilt-based paints to be soaked directly into the fabric. She created silky pools of color that, although abstract, evoked images of landscapes. As Whitney Chadwick said of Frankenthaler, "She was not the first artist to stain canvases but she was the firsy to develop a complete formal vocabulary from the technique." Her techniques influenced other artists, especially Kenneth Noland and Morris Louis.
Frankenthaler is significant to the 1950s because of her contributions to Abstract Expressionism. As the name suggests, this form of art is important in any understanding of the Fifties because it combines abstraction and expressionism. Expressionism itself emphasizes the emotional responses from both the artist and the viewer. The voices of a new America as heard in authors such as Jack Keroauc and Allen Ginsberg are seen in artists such as Frankenthaler. It is also important that Frankenthaler, as a woman, steps beyond the traditional gender roles. Helen Frankenthaler is nonconformist both in her art and life.
Biography from artinthepicture.com
Helen Frankenthaler - Causeway
Helen Frankenthaler - Orange Underline
Helen Frankenthaler - Nightmare
Helen Frankenthaler - Coalition
Wednesday, 22 June 2011
Joan Mitchell is perhaps best known as a second-generation member of the New York School. Yet although she was included in the celebrated 1957 exhibition Artists of the New York School: Second Generation at the Jewish Museum in New York, Mitchell lived and worked primarily in France. While her dramatic, lushly painted works possess an active, gestural quality that connects her work to New York School artists such as Willem de Kooning, Franz Kline, and Philip Guston, her work also evokes the paintings and pastels of French Impressionists through their vivid palette and frequent references to nature. As her work incorporated both of these influences, Mitchell is frequently termed an Abstract Impressionist. Such an association is reinforced by the fact that Mitchell work primarily out of Vétheuil, a town outside of Paris where Claude Monet lived and worked, and in a strange twist of fate, that she also lived on Avenue Claude Monet.
Biography from hollistaggart.com
Joan Mitchell - Barge Peniche
Joan Mitchell - Garden Party
Joan Mitchell - La Grande Vallée
Joan Mitchell - (title unknown)
Joan Mitchell - Untitled
Joan Mitchell - Untitled